Another important aspect is “the multiplexes”. The cinemagoers at the multiplexes are middle, upper middle, influential and high social class people who’d alter themselves to see Hindi/English movie rather than Nepali movies. Though, to some extent, the Nepali films have craved their path and pull the Bollywood/Hollywood audiences, multiplexes alone are not sufficient to make it commercial. At the same time, the changes that the New makers are vying for has created a freedom on other makers to make “films of their choices” and divert the audiences from the general grip. No wonder, the non-multiplexes cinema makers are making money at the cost of New Cinema Makers who concentrated more on quality.
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